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Yamaha CL5 Digital Mixing Console

USD 27,863.00 excl. Tax

Product Highlights:

  • Input channels: 72 mono, 8 stereo.
  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
Weight 8 kg
SKU: CL5 Category:
Description
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Yamaha CL5: Shaping the Future of Live Audio Engineering

The Yamaha CL5 Digital Mixing Console stands at the pinnacle of live sound technology, offering an unparalleled fusion of efficiency, flexibility, and advanced features. Designed to cater to a wide range of live sound applications, the CL5 boasts a three-section fader layout that ensures optimal channel operation efficiency and hands-on control.

CL5 Fader Configuration:

The console is equipped with a meticulously organized fader configuration, featuring a 16-fader left section, an 8-fader Centralogic section, an 8-fader right section, and a 2-fader master section. This layout allows for intuitive control and seamless workflow, making it the preferred choice for sound engineers and live production professionals.

CL5 Mixing Console Input Channels and Busses:

With a staggering 72 mono and 8 stereo input channels, the CL5 provides extensive connectivity for diverse audio sources. The console supports 24 mix busses and 8 matrix busses, with Input to Matrix functionality. This versatility ensures that the CL5 can effortlessly handle complex audio routing and mixing requirements.

Innovative Features for CL5 Mixing Console:

The inclusion of a stainless steel stay for iPad support, a built-in meter bridge, and local I/O with 8 inputs and 8 outputs adds to the console’s convenience and practicality. Furthermore, the CL5 incorporates a built-in Dugan automixer, delivering optimal channel balance while allowing operators to focus on refining the overall sound experience.

User Interface and Networking:

The Centralogic? user interface includes a spacious touch-panel display and specifically chosen channel controls, delivering a user-friendly and effective control interface. The built-in Dante networking facilitates flexible system expansion with R series I/O racks or other external equipment. Up to 24 R series I/O rack units can be seamlessly connected to each CL5 console, enhancing scalability.

Premium Audio Processing:

The CL5 boasts a virtual “Premium Rack” with VCM models of the renowned RND Portico 5033 equalizer and Portico 5043 compressor/limiter. Moreover, a virtual “Effect Rack” enables the concurrent utilization of eight effects chosen from a range of 46 ambient effects and eight insertion effects. The “GEQ Rack” enables the insertion of graphic EQ or 8-band PEQ into the output buses for room equalization and other functions.

Remote Control and Compatibility:

The console facilitates smooth, integrated remote control and offline editing through an Apple iPad? or other computing devices. Compatibility with QL series consoles enables data exchange, enhancing flexibility and interoperability between CL and QL systems.

Recording Capabilities:

The CL5 enables straightforward recording of 2 tracks directly onto standard USB flash drives and facilitates substantial multitrack recording to a DAW through Dante. Multitrack recordings can be used for “virtual sound checks” when performers are unavailable, providing valuable flexibility in live production scenarios.

Expansion and Customization:

Three Mini-YGDAI card slots offer easy I/O expansion and additional processing capabilities. The console includes a comprehensive Fader Bank section with recallable custom banks, editable channel names and colors, user-defined keys and knobs, 300 scene memories, input and output delays, ample EQ and dynamics processing, 16 DCA groups, 8 mute groups, a 5-in/5-out GPI interface, multiple user key sets, on-screen help, and more.

In conclusion, the Yamaha CL5 Digital Mixing Console sets a new standard in live sound technology, combining cutting-edge features with user-friendly design to meet the demands of the most discerning audio professionals. Whether in a concert venue, theater, or broadcasting environment, the CL5 stands as a testament to Yamaha’s commitment to innovation and excellence in audio engineering.

To view more Yamaha Audio Products

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Features
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  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section.
  • Input channels: 72 mono, 8 stereo.
  • Busses: 24 mix, 8 matrix (Input to Matrix supported).
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
  • Local I/O: 8 in, 8 out.
  • Built-in Dugan automixer provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.
  • Centralogic user interface with a large touch-panel display and selected channel controls make up an intuitive, efficient control interface.
  • Bulit-in Dante networking allows for flexible system expansion with R series I/O racks or other external equipment.
  • Up to 24 R series I/O rack units can be connected to each console.
  • “Gain Compensation” allows multiple consoles to share and control the same I/O unit.
  • Virtual “Premium Rack” with VCM models of the renowned RND Portico 5033 equalizer and Portico 5043 compressor/limiter, plus other VCM equalizers, compressors, and studio-quality effects.
  • Virtual “Effect Rack” allows simultaneous use of up to 8 effects from a selection of 46 ambience effects and 8 insertion effects.
  • Virtual “GEQ Rack” allows graphic EQ or 8-band PEQ to be inserted into the output buses as required for room equalization and other functions.
  • Seamlessly integrated remote control and offline editing via an Apple iPad or other computing device.
  • QL series compatibility: data exchange capability between CL and QL consoles.
  • Direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante.
  • Multitrack recordings can be used for “virtual sound checks” when performers aren’t available.
  • Three Mini-YGDAI card slots provide easy I/O expansion as well as extra processing capabilities.
  • Other features: comprehensive Fader Bank section with recallable custom banks, editable channel names and colors, user defined keys and user defined knobs, 300 scene memories, input and output delays, ample EQ and dynamics processing, 16 DCA groups, 8 mute groups, 5-in/5-out GPI interface, multiple user key sets, on-screen help, and more.
Specifications
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Mixing Capacity:

  • Input Mixing Channels: 72 mono + 8 stereo
  • Mix Buses: 24
  • Matrices: 8 (Input to Matrix supported)
  • Stereo Buses: 1
  • Mono : 1
  • Cue: 1 (Second Cue Bus supported in CL V4.0 or later)

Local Connectors:

  • Analog Inputs: 8
  • Analog Outputs: 18
  • MY Slots: 3
  • Dante I/O: Primary / Secondary
  • Digital Out: 1 (AES/EBU)
  • GPI: 5 in / 5 out (CL V1.11 or later)
  • Word Clock I/O: Yes
  • MIDI I/O: In / Out
  • External Redundant PSU: Optional PW800W
  • Meter Bridge: Output meter built-in
  • Ethernet: Yes
  • AC Inlet: V-Lock Type

Scene Memory:

  • Number of Scenes: 300
  • Recall Safe: Yes
  • Focus Recall: Yes
  • Fade Time: Yes (0s ~ 60s)
  • Preview: Yes (CL V1.51 or later)
  • Selective Load / Save: Yes (CL V1.7 or later)
  • Tactile Control Keys: Yes

Input Channel Functions:

  • Gain Compensation: Yes
  • Digital Gain: Yes (-96dB ~ +24dB)
  • ATT: -96dB ~ 0dB
  • HPF: 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later)
  • PEQ: 4 Band Full PEQ
    (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
  • Dynamics 1: Gate / Ducking / Compressor / Expander (Key-in Filter on the Compressor and Expander in CL V4.0 or later)
  • Dynamics 2: Compressor / Compander-H / Compander-S / De-esser
  • Input Delay: Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later)
  • Pan: CENTER NOMINAL or LR NOMINAL for monaural input channels in CL V3.1 or later
    L-MONO, R-MONO or LR-MONO for stereo input channels in CL V3.1 or later
    L-MONO, R-MONO or LR-MONO for stereo input channels in QL V3.1 or later
  • DCA Group: 16 (Output DCA and DCA Roll-Out support in CL V2.0 or later, Scrollable DCA Roll-Out support in CL V4.0 or later)
  • MUTE Group: 8
  • Number of Inserts: 2 (CL V2.0 or later)
  • Direct Out: Yes

Output Channel Functions:

  • PEQ: 4 Band Full PEQ
    (RTA overlay support in CL V3.0 or later, New EQ Algorithms support in CL V4.0 or later)
  • Dynamics 1: Compressor / Expander / Compander-H / Compander-S
  • MUTE Group: 8
  • Number of Inserts: 2 (CL V2.0 or later)

Premium Rack:

  • Number of Premium Racks: 8
  • Mountable Device: RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later) / MBC4 (CL V4.0 or later)

Effect Rack:

  • Number of Effect Racks: 8
  • Number of Effect Programs: 54
  • Mountable Device: Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later)

GEQ Rack:

  • Number of GEQ Racks: 16
  • Mountable Device: 31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later)
    (RTA overlay support in CL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in CL V4.0 or later)
    (RTA overlay support in QL V3.0 or later, GEQ gain control from the TOUCH AND TURN knob in QL V4.0 or later)

Dante:

  • Number of I/O Channels: 64 in / 64 out
  • Number of I/O devices that can be discovered from the console: 63
  • Number of I/O devices that can be mounted: 24
  • Number of I/O devices with HA remote control: 8
  • Dante Patch from Console: Yes

Recording:

  • USB Memory Recording: Yes
  • DVS Recording: Yes (DVS and Nuendo Live bundled)

Broadcast Functions:

  • 5.1 Surround Panning: Yes (CL V3.0 or later)
  • Surround Monitor: Yes (CL V3.0 or later)
  • Mix Minus: Yes (CL V2.0 or later)
  • L-Mono / R-Mono / LR-Mono: Yes (CL V3.0 or later)

Monitor:

  • Solo Mode: Yes (CL V4.0 or later)
  • Second Cue Bus (allows the MATRIX 7/8 to be used as a CUE B bus): Yes (CL V4.0 or later)
  • Oscillator: Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise

Other Functions:

  • Port to Port: No
  • RTA: Yes (CL V3.0 or later)
  • Output Port Delay: Yes (0ms ~ 1000ms, frame delay support in CL V3.0)
  • Cascade: Yes (via MY slots)
  • User Level: Yes
  • Help File: Yes (CL V1.51 or later)
  • Channel Link: Yes (Output Channel Link support in CL V3.0 or later)
  • Channel Copy/Move: Yes
  • Control & Monitoring for Digital Wireless Receivers: Shure ULXD4D/ULXD4Q (CL V4.0 or later)

User Interface:

  • Display: 10 inch Touch Panel
  • Centralogic Section: No
  • Faders: 16 + 8 + 8 + 2
  • Selected Channel Encoders: Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2(Threshold only), Pan, Mix/Matrix Sends
  • Channel Encoder: Yes (for Gain, Send Level, or an assigned parameter)
  • Channel Name / Color Display: Yes
  • Custom Fader Banks: Yes (customized for each fader section)
  • User Defined Keys: 16 (x 4 banks in CL V3.0 or later)
  • User Defined Knobs: 4
  • Touch and Turn Knob: Yes (using a User Defined Knob)
  • Monitor Level Knob: Yes
  • Wooden Arm Rest: Yes
  • iPad Stay: Yes
  • Rack-mounting: No

Software:

  • Editor: CL Editor (Win/Mac, CSV files import/export in CL Editor V4.0.0 or later)
  • StageMix: CL StageMix (iPad app)
  • MonitorMix: Yes (CL V4.00 or later)
  • Console File Converter: Yes (Win/Mac)

General specifications:

  • Sampling frequency rate Internal: 44.1kHz / 48kHz
  • Sampling frequency rate External: 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
  • Signal delay: Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
  • Total harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
  • Frequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
  • Dynamic range: 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.

Hum & noise level:

  • Equivalent input noise: -128dBu typ., Equivalent Input Noise, Input Gain=Max
  • Residual output noise: -88dBu, Residual output noise, ST master off
  • Crosstalk:-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
  • Power requirements: US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
  • Power consumption: 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W

Dimensions:

  • W: 1053mm (41 1/2in)
  • H: 299mm (11 3/4in)
  • D: 667mm (26 1/4in)
  • Net weight: 36kg (79.4lb)
  • Others: Temperature Range: Operating temperature range: 0 – 40℃, Storage temperature range: -20 – 60℃
Delivery Info
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How to shop TAX free in Singapore

9% Goods Service Tax (GST) will be imposed over the total invoice value if purchased locally in Singapore. However if you are a tourist visiting Singapore, this GST amount can be refunded at the Changi International Airport Departure Hall GST Refund Centre before departure with goods within 60 days from the date of purchase. Please note that only Tourists who have met the Tourist Refund Scheme’s conditions and eligibility criteria can claim for the GST refund. Visit the following link for GST Guide for Visitors on Tourist Refund Scheme. https://www.iras.gov.sg/taxes/goods-services-tax-(gst)/consumers/tourist-refund-scheme


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