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Panasonic AJ-PX5100GJ P2HD Memory Card Camera Recorder
USD 24,200.00 excl. Tax
| Weight | 6 kg |
|---|
Description
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Panasonic AJ-PX5100GJ P2HD Camera Recorder
High-End ENG Camera Recorder with HDR Acquisition and RTSP/RTMP Streaming/Transmission.
In addition to high sensitivity 2/3 type 3MOS image sensors and FHD/60p/50p AVC-ULTRA codec, Panasonic AJ-PX5100GJ P2HD newly supports HDR (HLG) recording and RTMPS on-air streaming. This high-end ENG camera recorder fits the multiple usage of the broadcast workflow.
Panasonic AJ-PX5100GJ P2HD FEATURES
High Picture Quality
- High Sensitivity, Low Noise 2/3 type 3MOS Image Sensors
- HDR Compliant (HLG “Hybrid Log-Gamma”)
- FHD Image Acquisition by High-Quality AVC-ULTRA Codecs
- HD/SD Multi-Image Format
- Reliable Recording Media: P2 Card/microP2 Card
FHD/60p/50p Support with High-Sensitivity, Low-Noise HDR Compatibility
High Sensitivity, Low Noise 2/3 type 3MOS Image Sensors – The 2.2 megapixel 2/3 type 3MOS (RGB) image sensors offer full-pixel HD (1920 x 1080) resolution, F12 (59.94 Hz) or F13 (50 Hz) sensitivity, and low noise with an S/N of 62 dB (with DNR ON). It also achieves rich gradation and vibrant color reproduction.
HDR Compliant (HLG “Hybrid Log-Gamma”) – In addition to being equipped with HLG images, the following functions assist HLG image acquisition.
- SDR Monitoring Gamma: Gamma curves for monitoring HLG images with the SDR viewfinder or other SDR monitor. These gamma curves possess characteristics for expressing the gradation in high-brightness area while maintaining the contrast of ordinary-brightness area.
- HDR/SDR Simultaneous Output: Dual SDI can output both HDR (HLG) and SDR (monitoring gamma) simultaneously.
- One-Push HLG Selector for Viewfinder: While the viewfinder display with monitoring gamma ordinary, the gradation of high-brightness area can be checked by selecting HLG temporarily.
- High-Brightness Zebra Display: The zebra pattern can be displayed in white-out areas of the viewfinder image.
FHD Image Acquisition by High-Quality AVC-ULTRA Codecs
The AVC-ULTRA codecs feature high-quality, high-efficiency H.264 based video compression. The main recording can be selected from high-quality AVC-Intra200 for mastering applications, AVC-Intra100 with FHD/60p/50p support, AVC-Intra50, or AVC-LongG (50/25/12) for FHD10-bit 4:2:2 with affordable bit rate. While offering a low bit rate suitable for previewing, sub recording AVC-Proxy (proxy data) provides an FHD resolution mode that can be used as is for breaking news and similar applications. The conventional DVCPRO codec is also supported.
HD/SD Multi-Image Format
Panasonic AJ-PX5100GJ P2HD images can be acquired by the 1080/60p/50p/60i/50i/30p/24p/25p, 720/60p/50p/30p/24p/25p HD format and SD (480/60i, 576/50i) format. Overseas use is also supported by a 59.94Hz/50Hz selection.
Reliable Recording Media: P2 Card/microP2 Card
The P2 card, which was designed for broadcast use, features a rugged case and highly reliable connector. The microP2 card features high reliability and a large capacity together with a reduced size and cost. In an emergency, an SD memory card can also be used.
Advanced Network Functions
- Easy-to-Use Single Dongle, Flexible Network Connection
- RTMP/RTSP Compatible Full-HD Streaming
- P2 Cast
Easy-to-Use Single Dongle, Flexible Network Connection – Proxy preview, camera remote, and playlist editing can all be done on a PC, Mac, or tablet connected to a wireless LAN. When connected to the internet, files can be transferred and live streaming can be done. Nimble operation is possible using the Wireless Module (optional: AJ-WM50/AJ-WM30) or a single dongle of the 4G/LTE dongle. Wired LAN connection and LiveU/TVU bonding services are also supported. The connection method is selected to match the usage environment.
RTMP/RTSP Compatible Full-HD Streaming – Full-HD streaming is possible while images are being acquired. Both RTSP and RTMP streaming methods are compatible. And Facebook, YouTube, and other streaming services are supported. A unique QoS (Quality of Service) mode optimizes the bit rate according to the network conditions for stable streaming distribution. High performance is also achieved by linking to P2SS (streaming server).
P2 Cast – An IoT Solution for News Gathering That Directly Connects On-Site News Acquisition with the Newsroom.
By connecting the Panasonic AJ-PX5100GJ P2HD or other P2cam to the cloud-based P2 Cast integrated control system, connectivity that approaches live relay can be achieved with automatic operation and camera control for interviews and other ENG. The system also helps to reduce costs.
- Automatic Upload from a P2cam to a Cloud Server
- Near-Live Upload
- News Content Web Sharing, Integrated Camera Control
- P2 Cast Bridge: Connects directly to the newsroom — Nonlinear Editor, News Automation, and Media Asset Management Systems.
- P2 Cast Mobile App: Connects smartphone cameras to P2 Cast/P2SS.
- P2SS (P2 Streaming Server) Delivers Full-HD Streaming
Versatile Broadcast Functions
- High-Quality Camera Functions for Various Situations
- Monitor/Status Display, QHD High-Resolution Color LCD
- Shooting Assist Functions and Easy Operability
- P2 Card/microP2 Card 2×2 Slot
- Versatile Recording Functions
- High-Quality 24-bit Four Channel Audio Recording
- 3G SDI In/Out and Other Versatile Connectors
- Versatile IP/iPad Remote Control Compatibility
High-Quality Camera Functions for Various Situations
- Two Optical Filters: ND and CC, have four positions each. The 3200K, 4300K, 5600K and 6300K positions of the CC filter help to express deeper colors.
- CAC (Chromatic Aberration Compensation): When using a CAC compatible lens, the small amount of circumjacent chromatic aberration that is not corrected by the lens is compensated by this process.
- DRS (Dynamic Range Stretcher): Suppresses blocked shadows and blown highlights to achieve a visually wide dynamic range.
- Advanced Flash Band Compensation (FBC): High-precision flash band detection and compensation.
- Gamma: Select from 8 modes (HD/SD/FILMLIKE 1/FILMLIKE 2/FILMLIKE 3/FILM-REC/VIDEO-REC/HLG1) gamma curves.
- High-Sensitivity DS Gain: High sensitivity is achieved without increasing noise.2 Combined with gain, this enables a maximum +76 dB,3 for ultrahigh sensitive recording at minimum subject illumination of 0.004 lx.
- Digital Zoom: 2x/3x/4x digital zoom boost.
Monitor/Status Display, QHD High-Resolution Color LCD
Features a QHD (960×540 Pixel) high-resolution color LCD. The status (time code, level meter, media, etc.) view and monitor view (live view, thumbnail, preview) can be switched.
Shooting Assist Functions and Easy Operability
Focus Assist: “EXPAND” for center zoomed image and “Focus-in-Red” can be displayed on viewfinder.
Shockless AWB: A smooth transition occurs when switching White Balance modes. This is effective, for example, when moving from outdoors to indoors. It is also equipped with an auto-tracking white function.
WFM/Vectorscope: Simplified waveform and vectorscope display.
Zebra: Select any two levels from among 0% to 109%, in 1% steps. A mode also allows two patterns to be overlaid and displayed.
Y-GET: Measures brightness at center and displays numerical data.
Lens Files: Stores settings for interchangeable lenses.
Setup Files: Camera setup data files can be saved. It makes color setting easier for multiple cameras.
Mode Check: Displays a list of the camera settings on the viewfinder and LCD monitor.
Rec Check: This lets you run a quick playback check of the clip-end.
User Buttons: Functions can be freely allocated to the five User buttons.
Back tally, rear tally equipped. ON/OFF switchable.
P2 Card/microP2 Card 1 2×2 Slot
By providing double slots for each the P2 card and the microP2 card1, an extended recording time is possible and the following recording functions are achieved.2
Dual-codec recording: Records a low-rate AVC-Proxy file while recording main data in AVC-Intra/AVC-LongG.
Simul Rec: Records simultaneously onto two microP2 cards or P2 cards.
Hot-Swap Rec: Cards can be exchanged while recording, slots can be switched, and continuous recording can be performed.
Versatile Recording Functions
One-Clip Rec Mode: Records up to 99 consecutive cuts as a single clip. A text memo is automatically attached to the Rec Start point for easy searching for the beginning of the cut.
Pre Rec: This stores approximately 8 seconds of video and audio data in memory while in standby mode and lets you recover and use the data before you start recording.
Loop Rec: By allocating the open space on two microP2 cards1 or two P2 cards, the camera continues to record while maintaining a recording of the most recent, pre-determined period.
Interval Rec: Automatically records intermittently based on a set interval and recording time.
One-Shot Rec: A frame-shot recording function useful for producing animations.
Text Memo 2: Up to 100 memos can be posted onto a clip as bookmarks.
Shot Marker 2: Used to mark clips as OK, NG, etc.
Metadata: Data with information such as the operator’s name, shooting location, and text memos can be added.
High-quality 24-bit Four Channel Audio Recording
AVC-Intra and AVC-LongG modes support 24-bit/48 kHz four-channel digital audio recording. Audio sources for each channel can be selected for each channel, choosing from mic-in, line-in, and wireless receiver.
3G SDI In/Out and Other Versatile Connectors
Features 3G SDI In/Out connectors supporting FHD/60p/50p for a wide variety of operations, including Line Rec, Backup Rec, and SD Down Convert Output. Also features XLR audio input (2 CH) with a +48V Phantom power supply, HDMI OUT, TC IN/TC OUT, GENLOCK IN, USB 3.0 (HOST), and USB 2.0 (DEVICE).
Versatile IP/iPad Remote Control Compatibility
Camera Studio System: The optional camera extension system (AG-CA300G Camera Adapter and AG-BS300 Base Station) supports low-cost studio integration.
10-pin Remote Terminal: A dedicated cord supplies power to the remote control and composite images to confirm the menu. Camera remote operation is enabled with the optional AG-EC4G Extension Remote Control Unit or AK-HRP200G Remote Operation Panel.
IP Remote (LAN Terminal): A wired LAN connection allows IP remote compatibility. Remote operation, including menu settings, is possible by using the optional AK-HRP200G Remote Operation Panel.
iPad Remote: P2 ROP APP (downloadable for free from the App Store) for the following iPad wireless remote control operations: Picture Quality Setting, Rec Start/Stop, Clip Thumbnail Display and Proxy Preview, Metadata Display, and Editing.
Specifications
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Specifications
| General | ||
|---|---|---|
| Power | DC 12 V (11.0 V to 17.0 V) | |
| Power Consumption | 29 W (body only, 1080/59.94i, AVC-Intra 100 standard recording status, LCD ON) 70 W (with all optional accessories connected and maximum power supplied from each output terminal) |
|
| Operating Temperature | 0 °C to 40 °C (32 °F to 104 °F) | |
| Operating Humidity | 10 % to 85 % (relative humidity) | |
| Storage Temperature | -20 °C to 60 °C (-4 °F to 140 °F) | |
| Weight | Approx. 3.4 kg (7.5 lbs.) (Body only, excluding the battery and accessories) |
|
| Demensions | 147 mm (W) x 267 mm (H) x 342 mm (D) (5-25/32 inches x 10-1/2 inches x 13-15/32 inches) (Body only, excluding protrusion) |
|
| Camera Unit | ||
| Pickup Device | 2/3-type 2.2 million pixels, MOS x 3 | |
| Lens Mount | 2/3-type bayonet | |
| CC Filter | A: 3200 K, B: 4300 K, C: 5600 K, D: 6300 K | |
| ND Filter | 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND | |
| Gain Setting | NORMAL mode | -3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB |
| HIGH SENS. mode | -6 dB, -3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB | |
| Digital Super Gain (DS.GAIN) | Selectable from 6 dB, 10 dB, 12 dB, 15 dB, 20 dB, 24 dB, 28dB, 34 dB | |
| Super Gain (S.GAIN) | Selectable from 30 dB, 36 dB, 42 dB | |
| Shutter Speed | SYSTEM MODE = 59.94 Hz 60i/60p/30p/24p mode |
1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec., HALF 180.0 deg, 172.8 deg, 144.0 deg,120.0 deg, 90.0 deg, 45.0 deg |
| SYSTEM MODE = 50 Hz 50i/50p/25p mode |
1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec., HALF 180.0 deg, 172.8 deg, 144.0 deg, 120.0 deg, 90.0 deg, 45.0 deg |
|
| Synchro Scan Shutter | 60i/60p mode | 1/60.1 sec. to 1/7200 sec. |
| 30p mode | 1/30.0 sec. to 1/3600 sec. | |
| 24p mode | 1/24.0 sec. to 1/2880 sec. | |
| 50i/50p mode | 1/50.1 sec. to 1/6000 sec. | |
| 25p mode | 1/25.0 sec. to 1/3000 sec. | |
| Shutter Open Angle | Configurable between 3 deg and 359.5 deg (in 0.5 deg steps) | |
| Sensitivity | NORMAL mode | F9 (2000 lx, 3200 K, 89.9 % reflection, 1080/59.94i) F10 (2000 lx, 3200 K, 89.9 % reflection, 1080/50i) |
| HIGH SENS. mode | F12 (2000 lx, 3200 K, 89.9 % reflection, 1080/59.94i) F13 (2000 lx, 3200 K, 89.9 % reflection, 1080/50i) |
|
| Minimum Subject Illumination | Approx. 0.004 lx (F1.4, +42 dB (S.GAIN), +34 dB (DS.GAIN)) | |
| Image S/N | 62 dB (standard) | |
| Horizontal Resolution | 1000 TV or higher (center) | |
| Memory Card Recorder | ||
| Recording Media | P2 card, microP2 card*2 | |
| System Format | 1080/59.94p, 1080/59.94i, 1080/23.98PsF, 720/59.94p, 480/59.94i, 1080/50p, 1080/50i, 720/50p, 576/50i | |
| Recording Format | AVC-Intra200/AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25/AVC-LongG12/ DVCPRO HD/DVCPRO50/DVCPRO/DV formats switchable |
|
| Recording Video Signal | 1080/59.94p, 1080/29.97pN, 1080/23.98pN, 1080/59.94i, 720/59.94p, 720/29.97pN, 720/23.98pN, 480/59.94i, 1080/50p, 1080/25pN, 1080/50i, 720/50p, 720/25pN, 576/50i |
|
| Recording/Playback Time (When using 64 GB x 1) |
AVC-Intra200 | Approx. 32 min. |
| AVC-Intra100 | Approx. 64 min. | |
| AVC-Intra50 | Approx. 128 min. | |
| AVC-LongG50 | Approx. 128 min. | |
| AVC-LongG25 | Approx. 256 min. | |
| AVC-LongG12 | Approx. 480 min. | |
| DVCPRO HD | Approx. 64 min. | |
| DVCPRO 50 | Approx. 128 min. | |
| DVCPRO/DV | Approx. 256 min. | |
| Digital Video | ||
| Sampling Frequency | AVC-Intra200/AVC-Intra100/ AVC‑Intra50/AVC‑LongG50/ AVC‑LongG25/AVC‑LongG12/ DVCPRO HD |
Y: 74.1758 MHz, Pb/Pr: 37.0879 MHz (59.94 Hz) Y: 74.2500 MHz, Pb/Pr: 37.1250 MHz (50 Hz) |
| DVCPRO50 | Y: 13.5 MHz, Pb/Pr: 6.75 MHz | |
| DVCPRO | Y: 13.5 MHz, Pb/Pr: 3.375 MHz | |
| Quantizing | AVC-Intra200/AVC-Intra100/AVC-Intra50/AVC‑LongG50/AVC‑LongG25: 10 bit AVC‑LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bit |
|
| Video Compression Format | AVC-Intra200/AVC‑Intra100/ AVC‑Intra50 |
MPEG-4 AVC/H.264 Intra Profile |
| AVC‑LongG50/AVC‑LongG25/ AVC‑LongG12 |
MPEG-4 AVC/H.264 | |
| DVCPRO HD | DV-Based Compression | |
| DVCPRO50/DVCPRO | DV-Based Compression | |
| DV | DV Compression | |
| Digital Audio | ||
| Recording Audio Signal | AVC-Intra200 | 48 kHz/24 bit, 4 CH |
| AVC-Intra100/AVC-Intra50 | 48 kHz/16 bit, 4 CH and 48 kHz/24 bit, 4 CH switch | |
| AVC‑LongG50/AVC‑LongG25 | 48 kHz/24 bit, 4 CH | |
| AVC‑LongG12/DVCPRO HD/ DVCPRO50/DVCPRO/DV |
48 kHz/16 bit, 4 CH | |
| Headroom | 18 dB/20 dB switchable menu | |
| Proxy | ||
| Video Compression Format | MPEG4 Simple Profile, H.264/AVC Baseline Profile, H.264/AVC High Profile | |
| Audio Compression Format | AAC‑LC, Linear PCM | |
| Approx. Recording Time3 | AVC-G6 2CH MOV | Approx. 13 min. |
| STD 2CH MP4 | Approx. 78 min. | |
| HQ 4CH MP4 | Approx. 72 min. | |
| SHQ 2CH MOV | Approx. 25 min. | |
| HQ 2CH MOV | Approx. 78 min. | |
| HQ 4CH MOV | Approx. 72 min. | |
| LOW 2CH MOV | Approx. 135 min. | |
| Video Input/Output | ||
| SDI IN | BNC x 1, HD (3 G/1.5 G), SD: 0.8 V [p-p], 75 Ω Switch the menu to use as |
|
| SDI OUT1 | BNC x 1, HD (3 G/1.5 G), SD: 0.8 V [p-p], 75 Ω | |
| SDI OUT2 | BNC x 1, HD (3 G/1.5 G), SD: 0.8 V [p-p], 75 Ω | |
| VIDEO OUT | BNC x 1, Composite: 1.0 V [p-p], 75 Ω | |
| HDMI OUT | HDMI x 1 (HDMI type A terminal, not compatible with VIERA Link) | |
| Audio Input/Output | ||
| AUDIO IN (CH1/CH2) | XLR x 2, 3 pin, LINE/MIC/MIC+48V switchable type LINE: 4 dBu (-3 dBu/0 dBu/4 dBu selectable menu) MIC: -60 dBu (-60 dBu/-50 dBu selectable menu) MIC+48V: Phantom +48 V supported -60 dBu (-60 dBu/-50 dBu selectable menu) |
|
| MIC IN | XLR x 1, 5 pin, Phantom +48 V (selectable menu), -40 dBu (-50 dBu/-40 dBu selectable menu) |
|
| Wireless Slot | 25 pin, D-SUB, −40 dBu, 2 CH supported | |
| AUDIO OUT (CH1/CH2) | XLR x1, 5 pin, equilibrium low impedance 4 dBu (-3 dBu/0 dBu/4 dBu selectable menu) |
|
| Phones | Stereo mini jack x 2 | |
| Speaker | 20 mm diameter, round x 1 | |
| Other Input/Output | ||
| GENLOCK IN | BNC x 1, 1.0 V [p-p], 75 Ω | |
| TC IN | BNC x 1, 0.5 V [p-p] – 8 V [p-p], 10 kΩ | |
| TC OUT | BNC x 1, 2.0 ±0.5 V [p-p], low impedance | |
| DC IN | XLR x 1, 4 pin, DC 12 V (DC 11.0 V to 17.0 V) | |
| DC OUT | 4 pin, DC 12 V (DC 11.0 V to 17.0 V), maximum output current 1.5 A | |
| REMOTE | 10 pin | |
| LENS | 12 pin | |
| VF | 20 pin | |
| LAN | 100BASE‑TX/10BASE‑T | |
| USB2.0 (device) | Type B connector, 4 pin | |
| USB3.0 (host) | Type A connector, 9 pin | |
| USB2.0 (host) | Type A connector, 4 pin | |
| LIGHT | 2 pin, DC 12 V (DC 11.0 V to 17.0 V), maximum output current 4.5 A (up to 50 W equivalent) |
|
| LCD Monitor | 8.89 cm (3.5 inches) QHD color monitor, approx. 1,560,000 dots | |
Delivery Info
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How to shop TAX free in Singapore
9% Goods Service Tax (GST) will be imposed over the total invoice value if purchased locally in Singapore. However if you are a tourist visiting Singapore, this GST amount can be refunded at the Changi International Airport Departure Hall GST Refund Centre before departure with goods within 60 days from the date of purchase. Please note that only Tourists who have met the Tourist Refund Scheme’s conditions and eligibility criteria can claim for the GST refund. Visit the following link for GST Guide for Visitors on Tourist Refund Scheme. https://www.iras.gov.sg/taxes/goods-services-tax-(gst)/consumers/tourist-refund-scheme
All items that are available for purchase online are subjected to availability. For item that are available, a confirmation email will be sent to your registered email to show that your order had been processed and is ready for collection / to be delivered. In the event whereby the item ordered is unavailable, a notification email will be sent and refund will be initiated immediately.
Self-collect: Item will be ready for collection at our store once the confirmation email is received. Orders that are made on the Weekends or Public Holiday may take about 2-4 working days to process.
Delivery (Local, Singapore): Small items: Delivery will take approximately 3-5 working days (excluding weekends and public holidays) to be delivered upon confirmation of order. Orders will be delivered by Singpost or local couriers.
Large / Bulky items: Delivery will take approximately 7-10 working days (excluding weekends and public holidays) to be delivered upon confirmation of order. Orders will be delivered by Expandore.
Delivery (Overseas); Shipment will be arranged with our courier partners to be delivered to your shipping address.
If you have other inquiries for placing of order and delivery, you can refer to our FAQ here (https://www.expandore.sg/faq/) Or Contact us here (https://www.expandore.sg/contact-us/)
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