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Canon EOS C300 Mark II Super 35mm CMOS sensor 4K / UHD 2K / FHD Camcorder
Canon EOS C300 Mark II Super 35mm CMOS sensor 4K / UHD 2K / FHD Camcorder
The Canon EOS C300 Mark II delivers high image quality and a wide dynamic range in a compact and ergonomically designed body that has improved operability, ruggedness and options for expansion. Its in-built advance focusing functions that assist professionals for manual focusing stems from the next evolutionary step in DAF engineering
Newly developed 4K (DCI/QFHD) 8.85-megapixel sensor and Wider Dynamic Range of 15 Stops
Canon has developed a new sensor that supports 4K (DCI) recording with a maximum 4096 x 2160 resolution, producing footages with high image quality. Also, 2K/HD recording (Over Sampling HD processing) that utilizes the information yielded from the 4K sensor to the full more than satisfactorily supports multi-purpose production needs.
When users have selected the Canon Log 2 gamma, the dynamic range changes from 200% to 1600% when ISO 100 to ISO 800 is selected, and a wide dynamic range of 1600% is achieved for ISO800 at the base sensitivity and higher. This enables the details of the highlights and shadows to be adjusted, and it extends the scope of color grading.
Engineering advancement in focus functions
AF speed tuning has now been implemented. The focusing area has been expanded to approximately 80% (vertically) x 80% (horizontally) of the image display on the screen. The focusing area can also be moved using the 4-direction key for AF shooting using the framework of the user’s choice.
This truly innovative UI applies the phase difference AF technology of Dual Pixel CMOS AF to deliver information that includes even the pre-focus and post-focus states of the focusing position, greatly improves user friendliness and efficiency in operation. This removes some of the obstacles to focusing in 4K shooting which demands extreme focusing accuracy.
Pursuing further excellence in operability, expand abilityand ruggedness
The new handle bracket has multiple threaded holes that are the same size as those on the accessories provided so that many different accessories can be mounted. This increases the degree of freedom in shooting as well as enhances user friendliness and rigging possibilities.
A ND filter expansion mode of 8 and 10 stops, on top of the current 2, 4 and 6 stops is also supported. This enables the aperture to be opened even in bright outdoor environments to capture shots with a shallow depth of field.
Also read here the Sony 4K handheld cameras
Image Sensor | |||
Sensor | Super 35mm type CMOS | ||
System | RGB primary colour filter (Bayer array) | ||
Total Pixels | 9.84 megapixels | ||
Effective Pixels | Approx. 8.85 megapixels when 4096 x 2160 / 2048 x 1080 resolution selected Approx.8.29 megapixels when 3840 x 2160 / 1920 x 1080 resolution selected |
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Dynamic Range | With Canon Log gamma: 800% With Canon Log2 Gamma 1600% (ISO 850 or above / gain 2.5dB or more) |
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Horizontal Resolution | Up to 1800 TV lines or more depends On shooting resolution and on lens used. | ||
Minimum Illumination | 59.94Hz Mode 0.3 Lux [F1.2 lens, 24dB, PF29.27 mode, shutter speed 1/30] 50Hz Mode 0.25 Lux [F1.2 lens, 24dB, PF25, shutter speed 1/25] |
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Lens | |||
Lens Mount | Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade) | ||
Peripheral Illumination Correction | YES (dependent on lens used) | ||
ND Filter | 6 glass filters in camera body: 2 stops; 4 stops; 6 stops, 8 stops, 10 stops*1. Operate via body, wireless control or via RC-V100 Remote Control Unit. | ||
Focus Control | Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range*2. (Not available with Manual Focus, CINEMA Zoom or Prime lenses). |
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Iris Control | Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom. |
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Image Stabilization System | Depends on lens used | ||
Image Processor | |||
Type: | Dual DIGIC DV5 | ||
System | |||
LCD | |||
Size | 4″ (10. cm diagonal) color wide-screen LCD with 16:9 aspect ratio | ||
Dots | Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage | ||
Image Quality Adjustments | Super High, High or Normal can be selected as the luminance adjustment. Others are same as for the viewfinder. | ||
Adjustability | Yes | ||
Waveform Monitor | Yes | ||
Focus Assist | Yes | ||
Peaking | Yes | ||
Zebra | Yes | ||
Markers | Yes | ||
EVF | |||
Size | 0.46″ (1.18cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio | ||
Type | Organic LED | ||
Dots | Approx. 1770,000 dots (1024 x RGB x 576) | ||
Image Quality Adjustments | Adjustment of the viewfinder brightness, contrast, color, sharpness and luminance boosting (on / off) can be performed (using menu settings). | ||
Adjustable | Yes | ||
Correction Lens | +2.0 to -5.5 diopter | ||
Inputs / Outputs | |||
Audio in | Yes: 2x XLR input on monitor unit, 3.5mm input on Camera Body | ||
Headphone output | Yes Output impedance 50Ω or less, Reference signal output level 50Ω or less Reference signal output level -∞ to -12 dBV (with 16Ω load, volume from MIN to MAX) |
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Video/Audio output | MON., REC OUT terminals: BNC Jack Video[HD]: SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425 Audio[HD]: SMPTE ST 299-1 [3G]: SMPTE ST 299-2 Output impedance 75Ω, Output signal level 0.8Vp-p |
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HDMI | HDMI terminal (type A) Complies with HDMI specifications. Video/Audio output | ||
IEEE 1394 (Firewire) | No | ||
USB | No | ||
Time code | BNC jack (input/output) | ||
Genlock | BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0Vp-p, Input impedance 10KΩ | ||
Synch | BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0Vp-p, Input impedance 10KΩ | ||
LCD Monitor Input/Output | VIDEO terminal Canon’s proprietary specifications (special 13-pin jack) AUDIO terminal Canon’s proprietary specifications (special 13-pin jack) |
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Component out | No | ||
AV terminal | No | ||
DC input | Yes | ||
Remote Control Terminal | 2.5mm mini jack | ||
Wireless Control Terminal | Via optional Wi-Fi adaptor | ||
Colour Bars | EBU, SMPTE, ARIB | ||
White Balance | |||
Auto | Yes | ||
Kelvin Range | 2000 – 15000K, 100K intervals, Default 5500K | ||
Preset | Daylight / Tungsten | ||
White Balance Shift | Yes, -9 to +9 (Daylight or Tungsten Preset selected) | ||
Black Balance | |||
Black Balance Adjustment | Yes | ||
Time Code | |||
Countup system | Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode) | ||
Start value setting | “00:00:00:00”, Set / Reset selectable | ||
Audio | |||
Recording | 16-bit 2ch (48kHz) linear PCM | ||
Control | Independent limiters and auto/manual settings | ||
Microphone attenuation | Yes | ||
Microphone level meter | Yes | ||
Battery | |||
Battery Type | BP-A30 (included), BP-A60 (optional) | ||
Input Power Supply | 14.4 V DC (battery pack), 16.7 V DC (DC IN) | ||
Miscellaneous | |||
Dimensions | Thumbrest attached: | Approx. 5.9 x 7.2 x 7.2in. (149 x 183 x 183mm) | |
Grip attached: | Approx. 7.5 x 7.2 x 7.4in. (190 x 183 x 187mm) | ||
Grip, bracket and handle attached: | Approx. 7.5 x 10.4 x 8.9in. (190 x 265 x 226mm) | ||
Grip, bracket, handle and monitor attached: | Approx. 7.5 x 12.1 x 12.8in. (190 x 307 x 362mm) |
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9% Goods Service Tax (GST) will be imposed over the total invoice value if purchased locally in Singapore. However if you are a tourist visiting Singapore, this GST amount can be refunded at the Changi International Airport Departure Hall GST Refund Centre before departure with goods within 60 days from the date of purchase. Please note that only Tourists who have met the Tourist Refund Scheme’s conditions and eligibility criteria can claim for the GST refund. Visit the following link for GST Guide for Visitors on Tourist Refund Scheme. https://www.iras.gov.sg/taxes/goods-services-tax-(gst)/consumers/tourist-refund-scheme
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