Blackmagic URSA Cine 17K 65 Digital Film Camera

Blackmagic URSA Cine 17K 65 Digital Film Camera

Blackmagic URSA Cine 17K 65 is a revolutionary new digital film camera that introduces new advanced technologies with total integration into the post-production workflow. This new model includes a new large format 65mm format RGBW 17520 x 8040 sensor with larger photo sites for 16 stops of dynamic range, interchangeable PL, LPL, and Hasselblad lens mounts, and industry-standard Lemo and Fischer connections. Blackmagic URSA Cine 17K 65 comes with 8TB of high-performance storage built in and also includes high-speed networking for media upload and syncing to Blackmagic Cloud.

URSA Cine 17K 65 Camera Body Optimized for High-End Productions

URSA Cine is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set. Standard Lemo and Fischer connectors let customers control the camera remotely while providing power for lens motors and other accessories. Customers also get 12G?SDI out, 10G Ethernet, USB-C, XLR audio and more.

Blackmagic URSA Cine 17K Sensor

URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions, from 4K to a massive 17K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo sites, leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green, and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate image quality and flexibility.

Interchangeable Lens Mounts

Different projects require different lenses, which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF, and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.

Blackmagic URSA Cine 17K 65 Supports High-Resolution Monitoring and Camera Control

URSA Cine lets crews work faster on set with multiple monitoring options. The fold-out monitor has a large 5? HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera, there?s a dedicated assist station with a second 5-inch HDR touchscreen, which allows the crew to work around the camera without needing external monitors. Plus, with a 1500-nit display and removable sunshade, it?s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histograms, frame guides, and more. There?s even a dedicated focus puller?s mode to help you get perfect focus.

Rugged Industry Standard Connections

The wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start/stop and 24V power, so they are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there’s an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling. There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.

Blackmagic Raw-Fosted Image Capture

Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing customers to capture over 4 hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or a massive 20 hours in 4K.

Generation 5 Color Science

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor. This delivers even better color response for more pleasing skin tones and better rendering of highly saturated colors such as neon signs and car tail lights in high-contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.

URSA Cine 17K 65 Includes Optical Low Pass Filter

Blackmagic URSA Cine 17K 65 includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response, which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.

URSA Cine 17K 65 Camera Built-in Color Balanced ND Filters

Blackmagic URSA Cine 17K 65 features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4, and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction, or fraction on the LCD.

Full Frame Capture at Higher Frame Rates

The URSA Cine 17K 65 has multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35, 9K, and even insanely detailed 12K. You can shoot 100 fps in 12K (12,288 x 6480, 17:9) or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408, and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408. URSA Cine has flexible frame rate and resolution options and captures incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.

URSA Cine 17K 65 Camera High-Performance Internal Media for Recording

URSA Cine 17K 65 is the first digital film camera with ultra-fast capability and Cloud Store technology built in. Blackmagic Media Module is fast, rugged, and includes a massive 8 TB of storage. It?s like a Cloud Store Mini built into your camera. The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to the Blackmagic Cloud for instant global collaboration.

Eliminate Media Offload Time

Blackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly, and it is extremely fast, even when a lot of users are connected at the same time.

Live sync and edit media on DaVinci Resolve while the camera is rolling

URSA Cine 17K 65 records an HD proxy in H.264 in addition to the camera’s original media. The small proxy file can upload to Blackmagic Cloud in seconds, even as the camera?s recording, so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve’s Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.

Connect to Mobile Data, High-Speed Wifi, or Ethernet

When live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus, it works with the latest high-speed 5G phones, as well as 4G. You can also connect via high-speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world. That’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.

Live Stream Directly to Your Client

Now you can live stream from film sets. URSA Cine 17K 65 features a built-in hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed wifi, or even connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot live while it’s happening.

Compatible with Industry Standard Batteries and Power

URSA Cine 17K 65 includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it?s easy to use the camera with existing power supplies, batteries, and accessories. The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B-mount battery plate, so you can use a wide range of 24V batteries from manufacturers such as BEBOB, IDX, Blueshape, Core SWX, SWIT, and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V?Mount and Gold Mount batteries.

Powered by Blackmagic OS

With advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine 17K 65 features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.

Digital Slate for Fast Metadata Entry

URSA Cine 17K 65 features a digital slate, so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording, the slate can automatically increment the take numbers so you don?t have to enter them manually for each shot. You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production-specific information, technical information, and more. All of the metadata is saved with the files for use in post-production when editing and color correcting with software such as DaVinci Resolve.

Wireless Bluetooth Camera Control

If you’re positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There?s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam-sync timecode and trigger all cameras to record at the same time. The possibilities are endless.

Localized in 13 Popular Languages

URSA Cine 17K 65 is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It?s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus, and monitoring information will be displayed in the selected language.

Includes DaVinci Resolve Studio

URSA Cine 17K 65 includes a full version of DaVinci Resolve Studio. You get the world?s most advanced solution that combines professional editing, color correction, audio posts, and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you’ll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you?re working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio, and delivery.

Comes Ready to Shoot

URSA Cine 17K 65 comes with everything you need to get started on set. Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories.

To view more Products Blackmagic