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Atomos NEON 17 17-inch HDR Cinema Monitor-Recorder – Discontinued model
The Atomos Neon series is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing them with Atomos innovation and technology.
Weight | 18 kg |
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This Product has been discontinued
Atomos NEON 17 Standard SDR Reference and Stunning HDR Preview Monitoring
The Atomos NEON 17 is a 17-inch display that offers an exceptional experience for SDR reference grade monitoring, HDR preview monitoring, and 4K recording (up to 60fps). The NEON 17 is designed for the professional and demanding user who requires the highest level of performance and reliability. This monitor offers a range of mounting points, making it easy to use in a variety of settings, from location shoots to post-production studios.
With its 1000-nit display, the NEON 17 provides an outstanding viewing experience. The display features a 16:9 aspect ratio and a resolution of 1920 x 1080, making it ideal for high-quality monitoring. The monitor’s HDMI and SDI I/O capabilities allow you to connect a variety of digital cinema, mirrorless, and DSLR cameras, making it a versatile and valuable tool for any filmmaker.
The NEON 17 provides 4K recording at 60 frames per second, making it ideal for capturing fast-moving action sequences. The robust aluminum chassis of the monitor provides stability and protection, ensuring that it will perform reliably in even the most demanding environments.
In addition to its exceptional display and recording capabilities, the NEON 17 also provides advanced tools and features that make it easier to perfect every shot. With its HDR preview capabilities, you can monitor your shots in real-time and make adjustments as needed, ensuring that your final product is of the highest quality.
Whether you’re a filmmaker, photographer, or video professional, the Atomos NEON 17 is a powerful and versatile tool that will help you to achieve your creative vision. With its exceptional display, recording capabilities, and advanced features, the NEON 17 is the industry standard for SDR reference grade monitoring and stunning HDR preview monitoring.
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Physical Specifications | |
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Dimensions (W x H x D mm) | 413 x 253 x 71.4mm |
Weight | 4.5kg / 9.92lb |
Rack height | Optional 3rd party |
Mount points | Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. Kensington lock on rear and lock down point on feet |
VESA mount | 100 x 100 |
Environmental | |
Ambient operating temperature | Up to 40° C (1000nits Full screen limited to 25° C) |
Construction and Control | |
Body | Aluminum alloy chassis with ABS Polycarbonate back plate |
Cooling | Actively controlled fan and Heat Sink |
Tally light | On rear |
Multi-function button | Power / Pair remote |
The master control unit (MCU) | Yes, Field replaceable |
Power | |
Compatible batteries | AtomX NEON battery system by Core SWX |
DC in connector | 6-pin locking Push-Pull connector |
Display | |
Size | 16.5″ |
Resolution | 1920 x 1080 |
Viewing angle | Super Wide Vision 178 Degrees >10% |
Screen coating | Matte Anti Glare & reflection |
PPI | 133 |
Bit depth | 10Bit (8+2 FRC) |
Backlight Type | Dynamic Full Array Local Dimming (FALD) 128 Zones |
Brightness (cdm2 / nits) | Up to 1000 Full Screen and 1200nits Peak HDR |
Black Level (cdm2 / nits) | 0.002 |
Aspect ratio | 16:9 |
De-interlace mode | Yes, graphic burning protection |
Color Gamut | DCI-P3 (D65) |
Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format Display Only |
Monitoring Modes | SDR, 3D LUT, HDR |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
Video Input | |
HDMI | 1 x HDMI (2.0) 4k p60 |
HDMI RAW | No – RAW not supported |
SDI | 2 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module |
SDI RAW | No – RAW not supported |
Bit Depth | 8/10Bit Video |
Video Chroma Subsampling | 4:2:2 |
HDCP copy protection | Not supported |
Metadata | |
SDI | File Name from Arri, RED |
Video Output | |
HDMI | 1 x HDMI (2.0) 4k p60 |
SDI loop out | 1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module – level A and B selectable |
SDI Playout | 2 x 12G SDI Backwards compatible Autodetection AtomX SDI module – level A and B selectable |
Video Chroma Subsampling | 4:2:2 |
Bit Depth | 10Bit Video / 12Bit RAW |
Web Streaming | |
USB UVC | Optional via Connect 4k |
Audio In/Out | |
Audio Quality | 24/48kHz |
Audio Codec | PCM |
HDMI | 8ch 24-Bit, input dependent |
SDI | 12ch 24-Bit, input dependent |
Analogue Audio in | 3.5mm 2ch. |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Time of day | Yes, the Time and Date |
LTC | via 3.5mm audio Jack input (Requires post-processing) |
Resolution and Frame Rates (Record, Monitor & Playback) | |
4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 | 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p |
FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF | Converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p | 50/59.94/60p |
Recording CODEC | |
Apple ProRes | LT, 422, 422HQ |
Avid DNxHD | 220x,220,145,36 |
Avid DNxHR | LB, SQ, HQ, HQX. |
Playback | |
Loop | Yes, the entire clip |
Apple ProRes Raw | Yes, recorded clips |
Apple ProRes | Yes, with Linear PCM audio |
Avid DNx | Yes, with Linear PCM audio |
Multi-Input / Switching | |
SDI A/B toggle | Via included AtomX SDI module |
Supported media | |
Master Caddy I | Not compatible |
SSDmini | Native Size and Fit |
CFast II | Supported cards via optional AtomX CFast Adapter |
File Naming | Unit Name – Scene/Shot/Take, Arri & RED via SDI |
File System | ExFAT |
On-screen tools | |
Waveform | Yes, 3 sizes / Position |
RGB parade | Yes, 3 sizes / Position |
Vector scope | Yes, 2 sizes / Position |
1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
2 x Zoom | Yes |
Focus peaking | Color selected / threshold setting/color / Mono/edges only |
False color | Yes, with Scale |
Zebra | Yes, Adjustable |
Isolate color channel | Blue Only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Safe areas | Action and Graphic |
Anamorphic de-squeeze | 1.33x , 1.5x ,1.8x ,2x |
Onboard Signal Processing | |
Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
DCI Crop | Loop out – 17:9 to 16:9 Crop |
Remote control | |
HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
Bluetooth LE | iOS Atom Remote and future Mac OS release |
External Device Control | |
Serial 2.5mm Jack | BBRCU Button Bar remote control – Future product release |
Bluetooth LE | iOS Atom Remote and future Mac OS release |
Supported Applications | |
Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
Accessories included | |
Optional extras | HPRC Hard case |
Warranty | |
Standard | 1 year. Extended to 3 years on product registration |
- NEON 17 Monitor
- NEON Master Control Unit
- 2 x Feet (inc. mount screws x 2)
- NEON Quick Start Guide
- 1 x Master Caddy II (inc. screws)
- 19V AC Power Adapter with mount cage
- AtomX SDI Expansion Module
- Monitor Protective Sheath
- MCU Protective Sheath
- Hex Wrench
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