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AJA FS-HDR Real Time HDR/WCG Conversion with Colorfront Engine Video Processing

USD 9,379.00 excl. Tax

Weight 1.5 kg
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SKU: FS-HDR Category:
Description
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AJA FS-HDR Real Time HDR/WCG Conversion

AJA FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer, is designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, post, and live event AV environments, where real-time, low latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine’s proprietary video processing algorithms.

AJA FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR transformation, conversion, and frame sync needs and in 4-Channel mode, offers 4 independent channels of 2K/HD conversion, including HDR transformations.

Real-Time HDR Converter

The pursuit of high dynamic range (HDR) is the dream of getting closer to the human visual system (HVS) in all that we experience as viewers. AJA FS-HDR has been designed to get us all there faster with a low profile, stand-alone, and real-time device uniquely designed to bridge SDR to HDR, HDR to SDR, and HDR to HDR, all in real-time.
AJA FS-HDR Real Time HDR/WCG Conversion

HDR Conversions:

  • HDR to HDR
  • HDR to SDR
  • SDR to HDR

WCG Conversions:

  • BT.709 and BT.2020

Up and Down Conversions:

  • Converting HD SDR BT.709 sources to UltraHD HDR BT.2020
  • Converting UltraHD HDR BT.2020 sources to HD SDR BT.709

Inputs: Dynamic

  • Range/Color Gamut
  • SDR BT.709 100 Nits
  • PQ BT.2020 1000 Nits
  • PQ P3D65 1000 Nits
  • Hybrid Log Gamma BT.2100
  • S-Log3 Sony S-Gamut3
  • Sony’S-Log3 S-Gamut3 Cine
  • Sony S-Log3 BT.2020
  • ARRI Log C Wide Gamut
  • Panasonic V-Log
  • RED Log3 G10 Wide Gamut
  • Canon Log 2
  • Canon Log 3

Outputs: Dynamic Range/Color Gamut

  • SDR BT.709 100 Nits
  • PQ BT.2020 1000 Nits
  • Hybrid Log Gamma BT.2100
  • S-Log3 Sony S-Gamut3

Real Time Camera LOG Conversions

AJA FS-HDR can take incoming imagery from some of the most popular professional cameras in the world today and convert their LOG output in real time to 4K/UltraHD or 2K/HD and output as either HDR or SDR. This greatly simplifies workflows in a mixed camera environment and provides for a unified input workflow to HDR or SDR capable switchers and more. Additionally, FS-HDR provides the ability to convert to Sony S-Log3 S-Gamut on output from any of these sources for workflows requiring this Log feed to compatible switchers and more.
AJA FS-HDR Real Time HDR/WCG Conversion

  • Sony S-Log3 S-Gamut3
  • Sony S-Log3 S-Gamut3 Cine
  • Sony S-Log3 BT.2020
  • ARRI LogC Wide Gamut
  • Panasonic Vlog
  • RED Log3G10 Wide Gamut
  • Canon Log2
  • Canon Log 3

Single Channel Mode

Bulletproof Reliability. Incredible 4K/HD Conversion Power with simultaneous 2K/HD outputs.
AJA FS-HDR Real Time HDR/WCG Conversion

Four-Channel Mode

Welcome to Multi-Channel HD HDR Processing.
AJA FS-HDR Real Time HDR/WCG Conversion

Specifications
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HDR/WCG Real Time Processor Colorfront Engine (CFE) Advanced Conversions

  • Processing Based on Human Perception Model
  • Perceptually optimized color volume remapping
  • Preserves the original creative intent
  • Parametric controls including HDR functions and color corrector

Input Video Dynamic Range/Color Gamut

  • SDR BT.709 100 Nits
  • PQ BT.2020 1000 Nits
  • PQ P3D65 1000 Nits
  • Hybrid Log Gamma BT.2100
  • Sony S-Log3 S-Gamut3
  • Sony S-Log3 S-Gamut3 Cine
  • Sony S-Log3 BT.2020
  • ARRI Log C Wide Gamut
  • Panasonic V-log
  • RED Log3G10 Wide Gamut
  • Canon Log 2
  • Canon Log 3

Output Video Dynamic Range/Color Gamut

  • SDR BT.709 100 Nits
  • PQ BT.2020 1000 Nits
  • Hybrid Log Gamma BT.2100
  • Sony S-Log3 S-Gamut3

HDR Conversions

  • HDR to HDR
  • HDR to SDR
  • SDR to HDR
  • SDR Preview mode
  • ITU-R BT.2408 mode

Colorimetry

  • BT.709 and BT.2020
BBC HLG LUTs Mathematical dynamic range mapping per ITU-R BT.2408
HDR Conversions

  • SDR/BT.709 Scene to HLG/BT.2100
  • SDR/BT.709 Display to HLG/BT.2100
  • PQ/1000 to HLG/BT.2100
  • S-Log3/S-Gamut3 to HLG/BT.2100
  • HLG/BT.2100 to SDR/BT.709
  • HLG/BT.2100 to PQ/1000
Mode of Operation Four Channel Mode – Four Independent 2K, HD, or SD Video Processors
Single Channel Mode – One 4K, UltraHD, 2K, HD, or SD Video Processor
Enhanced Single Channel Mode – One 4K, UltraHD Video Processor with simultaneous 4K/UltraHD and 2K/HD/SD outputs
Video Formats (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(4K) 4096 x 2160PsF 23.98, 24, 25, 29.97, 30
(UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97, 30
(2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1920 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1920 x 1080PsF 23.98, 24, 25, 29.97, 30
(HD) 1920 x 1080i 50, 59.94, 60
(HD) 1280 x 720p 50, 59.94, 60
(SD) 625i 50
(SD) 525i 59.94
CbCr, 4:2:2, 10-bit
Video Input Digital
  • 4x 3G-SDI inputs, 4x BNC
  • 4x 3G-SDI inputs, 4x Fiber or HD-BNC (optional SFP modules)
    • SFP coax module, 12G/6G-SDI, dual HD-BNC
    • SFP fiber module, 12G/6G-SDI, Single Mode, dual LC or single LC, SMPTE-297
    • SFP fiber module, 3G-SDI, Single Mode, dual LC, single LC, or single SC, SMPTE-297
    • SFP fiber module, 3G-SDI, Multi-Mode, dual LC or single LC, SMPTE-297
  • 12G/6G/3G/HD/SD, SMPTE-259/292/424/2081/2082
    • Single Link 12G/6G-SDI (with optional SFP module)
    • Quad Link 3G-SDI Level A or B-DL (4x 3G), SMPTE-425-5
    • Dual Link 3G-SDI Level B-DS (2x 3G), SMPTE-425-3
    • Single Link 3G-SDI Level A, B-DL, or B-DS, SMPTE 425
    • Quad Link HD-SDI (4x 1.5G)
    • Dual Link HD-SDI (2x 1.5G), SMPTE-372
    • Single Link HD/SD
  • Quadrant (Square Division) or 2SI (Two Sample Interleave) 4K/UltraHD input pixel mapping
  • 8x 1 selector feeds video processor(s)
Video Output Digital
  • 4x 3G-SDI outputs, 4x BNC
  • 4x 3G-SDI outputs, 4x fiber or HD-BNC (optional SFP modules)
    • SFP coax module, 12G/6G-SDI, dual HD-BNC
    • SFP fiber module, 12G/6G-SDI, Single Mode, dual LC or single LC, SMPTE-297
    • SFP fiber module, 3G-SDI, Single Mode, dual LC, single LC, or single SC, SMPTE-297
    • SFP fiber module, 3G-SDI, Multi-Mode, dual LC or single LC, SMPTE-297
  • 12G/6G/3G/HD/SD, SMPTE-259/292/424/2081/2082
    • Single Link 12G/6G-SDI (with optional SFP module)
    • Quad Link 3G-SDI Level A or B-DL (4x 3G), SMPTE-425-5
    • Dual Link 3G-SDI Level B-DS (2x 3G), SMPTE-425-3
    • Single Link 3G-SDI Level A, B-DL, or B-DS, SMPTE 425
    • Quad Link HD-SDI (4x 1.5G)
    • Dual Link HD-SDI (2x 1.5G), SMPTE-372
    • Single Link HD/SD
  • Quadrant (Square Division) or 2SI (Two Sample Interleave) 4K/UltraHD output pixel mapping
Monitor Output Digital
  • 1x BNC, 1x 3G-SDI output
    • 3G-SDI/HD/SD, SMPTE-259/292/424, 10-bits
    • 4K/UltraHD automatically down-converted to 2K/HD
  • Enhanced Single Channel Mode – Video Formats
    • (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (HD) 1920 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
    • (HD) 1920 x 1080PsF 23.98, 24, 25, 29.97, 30
    • (HD) 1920 x 1080i 50, 59.94, 60
    • (HD) 1280 x 720p 50, 59.94, 60
    • (SD) 625i 50
    • (SD) 525i 59.94
  • Enhanced Single Channel Mode – Output Video Dynamic Range/Color Gamut
    • SDR BT.709 100 Nits
    • PQ BT.2020 1000 Nits
    • Hybrid Log Gamma BT.2100
    • Sony S-Log3 S-Gamut3
  • 1x HDMI, 1x HD output
    • 2K/HD/SD, HDMI v1.4a
    • 4K/UltraHD automatically down-converted to 2K/HD
    • HDR Infoframe generation to support HDR displays per HDMI v2.0b and CTA-861-G
    • Crop control
Video Processing Motion adaptive deinterlacer
Proc amp controls
Color corrector
Legalizer
Frame rate conversion/film cadence removal/insertion (3:2, 1:2, 2:1, 2:3)
Adjustable delay 0-6 frames with H and V timing controls in lines and pixels
Closed Captioning conversion (CEA-608/CEA-708)
AFD input detection, down-convert control, and output pass through or overwrite
Freeze (manual or on input signal loss) to black or last good frame
Matte generator for background fill
Video test generator with SDR and HDR patterns
Nominal video delay HD/SD, 2 frames (LFR), 4 frames (HFR)
Format Conversion Convert any supported input format to any supported output format, within the same frame rate family. These three families are:

  • 59.94, 29.97, 23.98
  • 50, 25
  • 60, 30, 24
Scaling Supported in 2K/HD/SD formats

  • Zoom in and out
  • Reposition
  • Region of Interest (ROI)
Up-Conversion Hardware 10-bit
Zoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side bars
Zoom Letterbox: results in image zoomed to fill fullscreen
Zoom Wide: results in a combination of zoom and horizontal stretch to fill a 16:9 screen; this setting will introduce a small aspect ratio change
Down-Conversion Hardware 10-bit
Anamorphic: fullscreen
Letterbox: image is reduced with black top and bottom added to image area with the aspect ratio preserved
Crop: image is cropped to fit video output format
Aspect Ratio Conversion for SD to SD Letterbox: Transforms SD anamorphic material to a letterboxed image
H Crop: Produces a horizontally stretched effect on the image; transforms anamorphic SD to full frame
SD Pillarbox: Produces an image in the center of the screen with black borders on the left and right sides and an anamorphized image in the center
V Crop: Transforms SD letterbox material to an anamorphic image
Audio Input Digital
  • 48 kHz sample rate
  • 8x SDI embedded inputs (16-Channels each)
    • 128-Channels, 24-bit (20-bit SD), SMPTE-272/299
  • 8x balanced AES inputs (16-Channels), 1x DB-25
    • 16-Channels, 24-bit, AES-3
  • 2x MADI inputs, 1 BNC, 1x ST Fiber
    • 128-Channels, 24-bit, AES-10
Audio Output Digital
  • 48 kHz sample rate
  • 1x SDI embedded output per Video Processor (16-Channels each)
    • 16-Channels (in single Video Processor mode), 24-bit (20-bit SD), SMPTE-272/299
    • 64-Channels (in four Video Processor mode), 24-bit (20-bit SD), SMPTE-272/299
  • 8x balanced AES outputs (16-Channels), 1x DB-25
    • 16-Channels, 24-bit, AES-3
  • 2x MADI outputs, 1x BNC, 1x ST Fiber
    • 128-Channels, 24-bit, AES-10
Audio Processing
  • 277 x 208 mono audio matrix, route 1 to 1, 1 to many
    • Inputs: ?128 embedded, 16 AES, 128 MADI, 2 stereo mixdowns, 3 tone generator
    • Outputs (Four Channel mode): 16 AES, 128 MADI, 64 embedded
    • Outputs (Single Channel mode): 16 AES, 128 MADI, 16 embedded
  • Input adjustment controls for each channel
    • Gain +18 to -18 dB in 0.5 dB steps
    • Phase invert
  • Input adjustment controls for each channel pair
    • Delay -16ms to +1sec in 20.8 us steps
  • Two independent 5.1 or 7.1 to stereo mixdown processors with gain adjust
  • High quality Sample Rate Conversion supported on all audio inputs
  • SRC bypass for non-PCM audio (e.g. Dolby E, AC-3, etc)
  • Audio tone generator (mute, 400 Hz, 1 kHz)
Reference Input External, 2x BNC

  • Looping, nonterminating
  • Blackburst or tri-level sync
Genlock Lock to External Reference
Lock to SDI input 1 thru 8
Free run based on Temperature Compensated Crystal Oscillator
Network Interface 1x RJ-45, 10/100/1000 Ethernet
Embedded web server for remote control
SNMP
User Interface Display
Keypad with status LEDs
Two rotary/push knobs
Comprehensive alarm indicators
Presets Four Channel and Single Channel mode each support 40 Presets
GPI 1x 25-pin D-Connector
Four optically isolated GPI inputs
Four optically isolated GPO outputs
Size (w x d x h) 17.5? x 16.0? x 1.75? (1RU) (444.5 x 406.4 x 44.45 mm)
Weight 7.9 lb (3.6 kg)
Power 100-240 VAC 50/60 Hz (Dual, redundant power supplies), 55W typical; 70W max.
Environment Safe Operating Temperature: 0 to 40 C (32 to 104 F)
Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
Operating Relative Humidity: 10-90% noncondensing
Operating Altitude: <3,000 meters (<10,000 feet)
In The Box
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AJA?s FS-HDR Helps China?s Guangdong Radio and Television Broadcast in 4K
September 27, 2018
Guangdong Radio and Television (GRT) is one of the largest Cantonese television networks in the world and one of China?s oldest media organizations. Owned by the Guangdong provincial government and headquartered in Guangzhou, the network provides a variety of content including news, sports, public affairs, children?s programming and more. This year, GRT began a network-wide upgrade to deliver broadcasts in 4K HDR 50p, adopting two AJA FS-HDR frame sync and HDR/WCG converters for a smooth transition.

Prior to upgrading we compared different HDR converter options, and quickly realized that AJA?s HDR conversion technology is the most advanced on the market. Not only is AJA the industry leader in HDR conversion, but the price-to-performance ratio of the FS-HDR is also impressive,? said Zhai, Production Department Technical Maintenance Division Manager, Guangdong Radio and Television.

FS-HDR is a 1RU, rack-mount universal converter/frame synchronizer for real time HDR transforms and 4K/HD up/down/cross conversions. Its versatility allows GRT to use FS-HDR in a variety of workflows, from live production in the studio or the OB van, to post-production. Working with a range of inputs from recorders, switchers, files and multiple camera signals, GRT has found that FS-HDR can readily handle any workflow need. Using FS-HDR?s single-channel mode enables up, down and cross-conversion, including real time down conversion of 4K/UltraHD HDR to HD HDR or SDR; while its four-channel mode allows users to simultaneously apply up to four HDR and SDR transforms to an incoming 2K/HD signal for output, or apply transforms to four separate 2K/HD incoming signals for simultaneous output.

??We appreciate that FS-HDR is easy to configure; set up and software updates are simple,? said Zhai. ?In addition, the front control panel is user friendly. We don?t have to connect to an additional laptop for setup or adjust the menu, which is a nice benefit when we?re on the go. We?ve also been impressed with AJA?s level of customer support; they give us a lot of feedback, try to understand our needs and respond accordingly rather than provide a blanket approach.

AJA Video Systems announced v2.6 firmware/software for the FS-HDR real time HDR/WCG Converter with Colorfront Engine video processing. The free update includes new color transformation enhancements that give broadcast, production, post and ProAV professionals more flexibility to accomplish new workflows and achieve a consistent, final look when working with a range of 4K/UltraHD/2K/HD, SDR and HDR formats.

FS-HDR v2.6 includes:

  • Colorfront Engine support for new HDR output transforms:
    • S-Log3/BT.2020 Output Dynamic Range and Gamut
    • ARRI Log C Output Dynamic Range and Gamut
  • Updated BBC v1.2 HLG LUTs:?
    • SDR Scene Referred (SR) to HLG
    • SDR Display Referred (DR) to HLG
    • PQ 1000 nit to HLG
    • S-Log3 100% to HLG
    • S-Log3 200% (SR-Live) to HLG
    • HLG to SDR Display Referred (DR)
    • HLG to PQ 1000 nit
  • New BBC v1.2 HLG LUTs:?
    • SDR SR up-conversion to HLG
    • SDR DR up-conversion to HLG
    • PQ 4000 nit to HLG
    • HLG to SDR SR
  • LUT Uploads:?Upload and store multiple custom 3D CUBE LUTs to FS-HDR using the web GUI, and use presets to recall. Use custom LUTs with the FS-HDR toolset to provide consistent looks with real time workflows.

Ganged Operation of Colorfront Engine parameters with the AJA FS-HDR Control Link app:?Use the free FS-HDR Control Link application to gang multiple FS-HDRs on the same network, including four FS-HDRs for 8K workflows. Easily make Colorfront Engine adjustments by implementing parameter changes to one unit that simultaneously apply to all ganged units using FS-HDR?s applications GUI or a Tangent Element kB twelve knob panel.

Delivery Info
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